Nikon Z6 II Camera is Out: Full Specifications and New Features
The Nikon Z6 II is the follow-up to the corporate’s first full-frame mirrorless digicam, the Z6. Now over two years previous, the Nikon Z6 has developed intoconsidered one ofour favorite mirrorless cameras. However there’s nonetheless room for enchancment, and with the Z6 II, Nikon has opted to retain the core spec and design of the Z6 whereas addressing its weaknesses. To that finish, just about all the principleoptions of the Z6 II are inherited from the Z6. This containsthe superb full-frame 24.5MP BSI CMOS sensor, which delivers photographs with wonderfulranges of elements, loads of dynamic vary, and excellent high-ISO noise performance.
In comparison withone of many Z6 II’s closest rivals, the 20.1MP Canon EOS R6, the additional pixels right hereoffer you that bit extra flexibility in the case of framing and cropping, whereas the EOS R6 has a slight edge at larger sensitivities. Evaluating the Z6 II to its differentshut rival, the Sony Alpha A7 III, there’s actually not a lot between them in the case ofoutcomes.
Whereas the sensor staysidentical, Nikon has outfitted the Z6 II with a second EXPEED 6 picture processor. This brings variousefficiencyenhancements, most notably a rise in burst capturingvelocity, from a most of 12fps to 14fps. That’s sooner than the Alpha A7 III, and a match for the EOS R6 (though the R6 can shoot at 20fps utilizing its digital shutter).
The additional processor has additionally allowed Nikon to enhance the 273-point AF system that’s within the Z6. In addition tonormalefficiencyenhancements and the flexibility to focus in darker situations, human and animal eye/face detection are actuallyobtainable in Extensive-area AF mode. It’s a stable system that’s nice for normalpictures, thoughif you happen to’re going to be capturingnumerousmotion (or portraits), then the focusing programs in each the EOS R6 and A7 III have the stingright here.
The Z6 had a powerful set of video specs, together withthe flexibility to shoot oversampled 4K for footage with loads ofelements. For the Z6 II, Nikon has tweaked the video capabilities to allow 4K seizeas much as 60p, though this received’t be obtainabletillround February 2021 through a firmware replace. The Z6 II additionallyfeaturesvarious output choices that embody the seize of 10-bit HLG HDR footage to an exterior recorder.
With the Z6 II utilizingthe identical design because of the Z6, there are few surprises in the case ofconstructinghigh quality and dealing with. The magnesium alloy physiquecomponents, climate sealing, and comfortable grip make the Z6 II really feelextrasturdy than rivals, whereas Nikon has managed to squeeze in a UHS-II SD card slot alongside the XQD/CFexpress card slot, resolving one of many key weaknesses of the Z6.
There’s no getting aroundthe truth that the updates discoveredwithin the Z6 II are modest at greatest; nonetheless, whereaspresent Z6 homeowners shouldn’t be tempted to improve, if you happen to’re searching fora top-quality full-frame mirrorless digicam you’re not going to go far fallacious with the Nikon Z6 II. Whereas rivals would possibly outclass it in some areas, the Z6 II has consistency on its facet, performing strongly throughout the board. In case you can residewithout the upgrades although, do try the Z6 – it’s nonetheless on sale for now, and the cash you’ll save over a Z6 II will go a good distancein the direction ofa brand new lens.
Just like the Z6, the Z6 II could bebought with the superb Nikon 24-70mm f/Four S normal zoom for $2,600 / £2,549 / AU$4,399. In case you’re trying toimprove or spend money on a second physiqueyou should purchase the Z6 II body-only for $2,000 / £1,999 / AU$3,399, whereasthesetrying to pair the Z6 II with their F-mount DSLR lenses can add the FTZ lens adapter for around $150 / £150 / AU$250.
The Nikon Z6 II will naturally be in comparison with Sony’s Alpha A7 III, whereas the arrival of the Canon EOS R6 means many will even see that digicam as a key rival. The A7 III is nearly three years previous now, however, itnonetheless packs a severe punch and canprice you within thearea of $2,880 / £2,650 / AU$4,640 with Sony’s 24-105mm f/Four G, which is a bit more versatile than Nikon’s equipment lens. The EOS R6 can be priced a bit larger than the Z6 II at $2,799.99 / £2,849 / AU$4,799, though this comes bundled with the comparativelygradual and variable-aperture 24-105mm f/4-7.1 lens, which isn’t fairly a match for the lenses paired with the Z6 II or A7 III.
The Nikon Z6 II arrives simply over two years because the Z6 launched, and Nikon has opted to maintainthe brand newdigicam’s design nearlysimilar to that of its predecessor. Whereas this may appear unimaginative on Nikon’s half (and in addition a methodto avoid wasting R&D prices), the choiceto make use ofthe identicalphysiqueis not anydangerousfactor – the Z6 is, without doubt, one of the best-handling mirrorless cameras on the market, with controls falling simplyhandy and key settings fast to entry. The joystick (formallyoften known as the sub-selector) can be weighted properly, whereas all that is complemented by a bigand comfortable handgrip and well-defined thumb relaxation.
Sticking with the identical design does, nonetheless, imply the Z6 II makes use ofthe identical tilt-angle showbecause of the Z6. This shouldn’t be an excessive amount ofdifficultyif you happen to’re predominantly capturing stills, however,thesecapturing video (and self-shooters particularly) is likely to bedisenchantedto not see a totally articulating vari-angle showlabored into the design of the Z6 II. That gripe apart, the Z6 II feels actuallysturdy, with magnesium alloy high, back and front covers, and the identicalwonderfulstage of climate sealing as Nikon’s pro-spec DSLR, the D850.
Not everything has stayed identicalalthough. One factor that compromised the Z6 was its single XQD card slot. Whereasthis can be a media format that may beextremelydependable, XQD playing cards are considerablycostlier than even one of the best SD playing cards. The addition of the SD slot makes the digicamextra accessible to extracustomers, whereasthese upgrading from the Z6, or who already use the XQD format, will be capable of using their presentplaying cards. There are advantagesin the case ofcapturing too, with the additional slot offeringchoices for simultaneous backup, overflow storage or recording JPEGs whereas the XQD/CFexpress slot takes care of uncookedrecordsdata.
For the Z6 II, Nikon has opted to stay with the identical full-frame 24.5MP BSI CMOS sensor that’s within the Nikon Z6. This permitsa local ISO to vary that runs from ISO100 to 51,200, and which could be expanded to ISO50-204,800. Whereas the Z6 II retainsthe identical sensor, Nikon has managed to squeeze in a second EXPEED 6 processor. This delivers variousenhancements, probably the most notable of which is a rise in burst capturingvelocity to a formidable 14fps, up from an already fast 12fps on the Z6.
The Z6 II additionallymakes use ofthe identical 273-point AF system because the Z6, although there have been some enhancementsright here too. Totalefficiency has been improved, whereas human or animal eye/face detection is now obtainablewithin theExtensive–Space AF modes, fairlythan simply the Auto-Space mode. Focusing in low gentlemust also be higherbecause the Z6 II can focus in gentlerangesas little as -4.5EV (bettering on -3.5EV of the Z6), whereas a low-light AF mode sees the Z6 II capable ofobtaining focus at an unimaginable -6EV.
The Z6 already had some spectacular video credentials, and the Z6 II improves on these additional. In addition toutilizingthe total width of the sensor to seize 4K footage at as much as 30p, the Z6 II can becapable of shoot 4K60p. A bit of caveat right herealthough: there shall be a 1.5x crop when capturing at this price, and the improvementreceived’t be obtainabletillround February 2021 through a firmware replace. The Z6 II will evenbe capable ofproceedingcapturing when relatedthrough USB-C for recharging, which wasn’t doable with the unique Z6. Different key optionsstayidenticalalthough, together withthe superb 3.69 million-dot digital viewfinder (EVF) and 5-stop in-body picture stabilization (IBIS) system.
Whereas the Nikon Z6 II can shoot at 14fps, the small print is within the small print – at this mostprice, you’re restricted to 12-bit uncooked records data and a single AF-point. In order for you,a bit ofextra dynamic vary in your recordsdata, and wish tomake the most of the Z6 II’s monitoring AF, this drops to a nonethelesssuperb 12fps – that’s sooner than the Alpha A7 III’s 10fps, and a match for the EOS R6’s 12fps (although the R6 can shoot at as much as 20fps utilizing its digital shutter). The buffer ought to begreater thansufficientfor manyeventualities as nicely, with the Z6 II capable ofdeal with 124 12-bit uncooked records data or 200 JPEGs at its highest bodyprice.
The Z6 II’s 273-point AF system has 90% protectionthroughout the body, which is nice in isolation, though it’s left trailing the 693-point system within the Alpha A7 III and the class-leading 6,072-point AF system within the EOS R6. These predominantly capturingfolks (or pets) would possibly favor the programswithin the Z6 II’s rivals, as they’re a bit extrarefinedin the case of eye and face monitoring, however, the Z6 II nonetheless does an excellent job right here, locking rapidly and precisely on to the topics we examined it on. It’s an analogous story if you happen tomonitortopics – use the Z6 II in isolation and also you’ll be very impressed with the velocity of acquisition, however, it’s not fairly a match for the EOS R6 (which makes use ofjust aboutthe identical AF system because of the flagship Canon EOS-1D X Mark III).
The built-in 5-stop picture stabilization system within the Z6 II is a constant performer. Once more, it’s not fairly as spectacularbecause of the EOS R6’s 8-stop system (which is lens-dependent), however,you may, fortunately, shoot at super-slow shutter speeds and are available away with sharp, shake-free photographs. One other key space Nikon has addressed with the Z6 II is the battery. The Z6 mightsolelyobtain an official determination of 310 pictures (although it performs higher in real-world eventualities), and the Z6 II will get an improved EN-EL15c battery that’s rated for 410 picturesutilizing the LCD and 340 with the viewfinder. It is a welcome enhancement, thoughright hereonce more the Z6 II nonetheless lags behind rivals just like the EOS R6 and Alpha A7 III.
As we’ve talked about, the Z6 II makes use ofpreciselythe identical sensor because the Z6 – and that’s excellent news, as outcomes from the Z6 have beenjust about class-leading. The total-frame 24.5MP BSI sensor within the Z6 II delivers wonderfulranges of elements. If it’s good torepeatedly print above A3 you are likely to be swayed by the 45.7MP sensor within the Z7 II (or the D850), however, thedecision on supplyright hereought tofulfill most shooters.
Thanks partially to the back-illuminated expertisewithin the Z6 II’s sensor (which is lacking from the lower-priced Z5), it performs nicelythroughout the sensitivity vary, delivering niceoutcomes at larger ISOs, thoughif you happen to’re capturing JPEGs it’s valuetaking into consideration that the default noise discountis usually a bit heavy at larger ISOs, which can lead to the pointlesslack ofelement.
Dynamic varycan besuperbif you happen tocapture in uncooked, with loads of flexibility in publish to recuperateelementwithin the shadows and pull again highlights. A fastbe aware on lenses to conclude – the 24-70mm f/Four is a stableselection that performs very nicely, however since its launch greater than two years in the past Nikon’s S-series lens vary has expanded considerably and contains some wonderful f/1.Eight primes and f/2.Eight zooms.
Jason is 28-year-old father, husband, and tech enthusiast. Jason covers everything from Geek news to tech world news. In he spare time, if he isn’t asleep, you can find him binge-watching his favorite podcast. Email:[email protected]